tag:blogger.com,1999:blog-5256054087903970406.post1969843186394376685..comments2023-10-30T16:12:22.267+05:30Comments on Nadha Sudha Rasa: On HEmavatI ......Musical Scientisthttp://www.blogger.com/profile/16849070599966874957noreply@blogger.comBlogger5125tag:blogger.com,1999:blog-5256054087903970406.post-66769976048288986062009-02-11T08:03:00.000+05:302009-02-11T08:03:00.000+05:30Sri Ganesh, I am sorry to be responding so late. T...Sri Ganesh, I am sorry to be responding so late. <BR/><BR/>There are 2 things to take note about MMG & hEmAvatI. First, the non-trivial swarasthAnams in either rAgams are mutually exclusive, i.e., hEmAvatI's ga, ma, da, ni are completely different from MMG's. It can be proved (by counting, as well as mathematical rigor) that this is the first mELakarta rAgam which possesses this property.<BR/><BR/>In addition to that, it is very interesting to see that it possess the pUrvAngam and uttarAngam symmetry just like MMG. In MMG, the relative spacing between notes in sa-ri-ga-ma, is the same as the relative spacing between consecutive notes in pa-da-ni-sa. The same is true with hEmAvatI too. <BR/><BR/>Is it not remarkable that hEmAvatI inspite of being as different from MMG as it perhaps can be, possesses the exact same property that is perhaps at the heart of MMG (symmetry)? That is what I intended to convey, perhaps. (Perhaps - because, it's been so long since I wrote this, I had to read thru the post myself to be able to answer your question).<BR/><BR/>Shreekrishna<BR/>02/10/09Shreekrishnahttps://www.blogger.com/profile/10326472525016159137noreply@blogger.comtag:blogger.com,1999:blog-5256054087903970406.post-74554485085658106152008-09-22T11:52:00.000+05:302008-09-22T11:52:00.000+05:30I am not clear about your comparison of hemavathi ...I am not clear about your comparison of hemavathi with MMG.<BR/><BR/>Can you elaborate a bit about that !<BR/><BR/>S.GaneshUnknownhttps://www.blogger.com/profile/06826413741099518850noreply@blogger.comtag:blogger.com,1999:blog-5256054087903970406.post-76927341721599096422008-09-19T15:46:00.000+05:302008-09-19T15:46:00.000+05:30great. waiting to see your blog on Keeravanigreat. waiting to see your blog on KeeravaniAnonymousnoreply@blogger.comtag:blogger.com,1999:blog-5256054087903970406.post-56914858072330165662007-09-18T20:18:00.000+05:302007-09-18T20:18:00.000+05:30And explaining the phrase of the blog name itself....And explaining the phrase of the blog name itself..bhale bhale..too much only..nAdasudhArasa indeed.. Just too good pa SK..ore feelings after those 2 hours yest..ooyoyoooo..and that hastivadanAya..too much. And i have no words to even compliment this wonderful post of yours..yabaaaa!!!Musical Scientisthttps://www.blogger.com/profile/16849070599966874957noreply@blogger.comtag:blogger.com,1999:blog-5256054087903970406.post-50299221616199679852007-09-18T20:17:00.000+05:302007-09-18T20:17:00.000+05:30SK...aaahaaa...total falling at your feet now pa.....SK...aaahaaa...total falling at your feet now pa..>--<-o @ you for such a beautiful post..amazing!!!! What analogies you have used to describe the beauty of this rAgam :)..chancey illa "flow of ganges from shivA's head" and all..I totally relate to every word u have written here pa..The flow in hEmavathi, the PMGR phrase, the beautiful connection between hEmavathi and kAnthimathi..so so beautiful..dIkshithar pa..thats all..Its a rare phenomenon which will not occur ever..Musical Scientisthttps://www.blogger.com/profile/16849070599966874957noreply@blogger.com